The Electronic Digital Instrument Associate of Science Degree announces the EDI as the primary instrument of technical study in this purely digital 21st-century program. Students receive technical, musical, and practical training, including collaborative opportunities and live recording experience on an Electronic Digital Instrument in innovative musical situations. This groundbreaking workforce program trains students for work in the music industry by focusing exclusively on the intersection between electronic digital instruments and electronic pop music styles.
Please contact the Student Success Team for this program if you have any questions.| Course | Units | Typically Offered |
| 1st Semester | ||
| MUST 101 - Introduction to Music TechnologyM | 3.0 | |
MUST 101 - Introduction to Music Technology (3.0 units) Advisory:It is advised that students be able to read college-level texts. This course is designed for the student who wants to learn the terminology, equipment, techniques, and concepts of music technology. Focus will be on principles and practices of sound, digital audio, synthesis, Musical Instrument Digital Interface (MIDI), MIDI sequencing, notation software, and audio recording utilizing hardware and software platforms. Lab activities will place an emphasis on the operation and components of the typical MIDI and digital audio lab (hardware and software). Students will complete independent projects demonstrating hands-on knowledge. | ||
| MUST 111 - Theory and Musicianship for Electronic Music IM | 4.0 | |
MUST 111 - Theory and Musicianship for Electronic Music I (4.0 units) Advisory:It is advised that students be able to read college-level texts. This course is the first of a sequence for students to focus on the development of theory and musicianship skills in both traditional notation and digital audio workstation (DAW) tablature. Through guided writing and analysis of popular electronic music, this course incorporates the following concepts: rhythm and meter; basic properties of sound; intervals; diatonic scales and triads; diatonic chords, basic cadential formulas, and phrase structure; dominant seventh; and non-harmonic tones. The course also develops beginning-level aural skills, sight-reading, sight-singing, as well as dictation and rhythmic interpretation skills. | ||
| ENGL C1000 - Academic Reading and Writing (formerly ENGL 101) (RHC GE 1)GE | 3.5 | |
ENGL C1000 - Academic Reading and Writing (formerly ENGL 101) (3.5 units) (Formerly ENGL 001A, ENGL 101) Prerequisite:Placement as determined by the college’s multiple measures assessment process. In this course, students receive instruction in academic reading and writing, including writing processes, effective use of language, analytical thinking, and the foundations of academic research. This composition course enables students to generate logical, coherent essays that incorporate sources necessary for academic and professional success. Students become proficient in researching, evaluating, and incorporating sources, and in learning critical reading and thinking skills through expository and persuasive reading selections before applying these skills to creating original documented essays. The writing workshop component of the course is designed to assist students with improving and refining their writing and language skills: Students complete writing workshop activities that enhance their ability to compose logical, well-supported arguments that exhibit grammatical fluency and correct citation styles. Students meet with composition instructors through individual or small group conferences that address students’ specific writing concerns. | ||
| RHC GE 9 - Ethnic StudiesGE | 3.0 | |
Select one: | ||
| Total Semester Units: | 13.5 | |
| 2nd Semester | ||
| MUST 105 - Introduction to the Music BusinessM | 3.0 | |
MUST 105 - Introduction to the Music Business (3.0 units) Advisory:It is advised that students be able to engage in written composition at a college level and read college-level texts. This course is intended for students interested in the music business. It presents an overview of the business and legal aspects of the music industry in order to help students understand the rapid and massive changes caused by the digital music revolution. The course focuses on career possibilities, the development of business-related knowledge and skills necessary for effectively maintaining a professional music career, the vocabulary and terminology of the music industry, and the distinction between music and business at the corporate level. Topics include record contracts, publishing, licensing, marketing, distribution, performances, and copyright. In addition, the duties and responsibilities of musicians, songwriters, lawyers, agents, promoters, publishers, executives, managers, and anyone trying to navigate the rapid transformation of the industry are examined. | ||
| MUST 112 - Theory and Musicianship for Electronic Music IIM | 4.0 | |
MUST 112 - Theory and Musicianship for Electronic Music II (4.0 units) Prerequisite:MUST 111 This course is the second in a sequence for students to focus on the development of theory and musicianship skills in both traditional notation and digital audio workstation (DAW) tablature. Through guided composition and analysis, the course includes an introduction to two-part counterpoint; voice leading involving four-part writing; diatonic harmony; and an introduction to secondary/applied chords and modulation. This course also develops beginning-intermediate-level aural skills, sight-reading, sight-singing, as well as dictation and rhythmic interpretation skills. | ||
| MUST 161 - Crossroads Electronic Digital Instrument Pop CollectiveM | 2.0 | |
MUST 161 - Crossroads Electronic Digital Instrument Pop Collective (2.0 units) Advisory:ENGL C1000, MUST 200A This course is designed for students who want to broaden their abilities to perform in small groups using Electronic Digital Instruments. This course focuses on beginning-level rehearsal and public performance of beat-driven, grid-based songs exclusively covering Electronic Pop music. Includes original student Electronic Pop music as well as reinterpretations of existing pop songs. This unique course is focused exclusively on Electronic Digital Instruments and Electronic Pop music collaborations. | ||
| RHC GE 8 - Oral Communication and Critical ThinkingGE | 3.0† | |
† some classes may have higher units. Select one: | ||
| RHC GE 3 - Physical EducationGE | 1.0 | |
Select one: KINA or DANC activity course. | ||
| Total Semester Units: | 13.0† | |
| Summer 1 | ||
| RHC GE 3 - Physical EducationGE | 1.0 | |
Select one: KINA or DANC activity course. | ||
| Total Semester Units: | 1.0 | |
| 3rd Semester | ||
| MUST 121 - Electronic Music IM | 3.0 | |
MUST 121 - Electronic Music I (3.0 units) Prerequisite: MUST 101 This course is designed for students who want to gain an understanding of the processes and tools available to the modern electronic musician. While using the most up-to-date software, students will learn to record, arrange, mix, and produce music. Topics include synthesis, sampling, and musical instrument digital interface (MIDI) sequencing. Compositions are expected of students utilizing electronic music techniques. | ||
| MUST 200A - Electronic Digital Instrument (EDI) Controllers IM | 1.0 | |
MUST 200A - Electronic Digital Instrument (EDI) Controllers I (1.0 units) Advisory:It is advised that students be able to read college-level texts. In this course, students develop Electronic Digital Instrument (EDI) performance skills, and declare EDI as the primary instrument of study for electronic musicians. Emphasis is placed on push button controller techniques. Course content includes basic technique and notation, major and minor fingering patterns, sight reading, and basic chord patterns and progressions. | ||
| MUST 161 - Crossroads Electronic Digital Instrument Pop CollectiveM | 2.0 | |
MUST 161 - Crossroads Electronic Digital Instrument Pop Collective (2.0 units) Advisory:ENGL C1000, MUST 200A This course is designed for students who want to broaden their abilities to perform in small groups using Electronic Digital Instruments. This course focuses on beginning-level rehearsal and public performance of beat-driven, grid-based songs exclusively covering Electronic Pop music. Includes original student Electronic Pop music as well as reinterpretations of existing pop songs. This unique course is focused exclusively on Electronic Digital Instruments and Electronic Pop music collaborations. | ||
| Select one: COMM C1000 / COMM C1000H (RHC GE 8)GE | 3.0 | |
COMM C1000 - Introduction to Public Speaking (formerly SPCH 101) (3.0 units) (Formerly SPCH 001A, SPCH 101) Transfers to: UC (*credit limit), CSU In this course, students learn and apply foundational rhetorical theories and techniques of public speaking in a multicultural democratic society. Students discover, develop, and critically analyze ideas in public discourse through research, reasoning, organization, composition, delivery to a live audience and evaluation of various types of speeches, including informative and persuasive speeches. This course is designed for Communication Studies majors and recommended for students interested in the Forensics: Speech and Debate team, and/or Pathway to Law. COMM C1000H - Introduction to Public Speaking - Honors (formerly SPCH 101H) (3.0 units) (Formerly SPCH 101H) Advisory: ENGL C1000 In this course, students learn and apply foundational rhetorical theories and techniques of public speaking in a multicultural democratic society. Students discover, develop, and critically analyze ideas in public discourse through research, reasoning, organization, composition, delivery to a live audience and evaluation of various types of speeches, including informative and persuasive speeches. This is an honors course. This course is designed for Communication Studies majors and recommended for students interested in the Honors Transfer Program, Forensics: Speech and Debate team, and/or Pathway to Law. | ||
| RHC GE 4 - American InstitutionsGE | 3.0 | |
Select one: | ||
| Total Semester Units: | 12.0 | |
| 4th Semester | ||
| MUST 122 - Electronic Music IIM | 3.0 | |
MUST 122 - Electronic Music II (3.0 units) Prerequisite: MUST 121 This course is designed for students who want to continue the study of concepts and techniques needed to compose electronic music. Sequencing, advanced forms of automation, and various types of analog and digital synthesis are studied in greater depth, and the topic creating music for film and video games is also introduced. | ||
| MUST 200B - Electronic Digital Instrument (EDI) Controllers IIM | 1.0 | |
MUST 200B - Electronic Digital Instrument (EDI) Controllers II (1.0 units) Prerequisite:MUST 200B In this course, students continue to develop Electronic Digital Instrument (EDI) performance skills, and declare EDI as the primary instrument of study for electronic musicians. Course content includes intermediate-level techniques and notation, major and minor fingering patterns, sight reading, and intermediate-level chord patterns and progressions. | ||
| MUST 161 - Crossroads Electronic Digital Instrument Pop CollectiveM | 2.0 | |
MUST 161 - Crossroads Electronic Digital Instrument Pop Collective (2.0 units) Advisory:ENGL C1000, MUST 200A This course is designed for students who want to broaden their abilities to perform in small groups using Electronic Digital Instruments. This course focuses on beginning-level rehearsal and public performance of beat-driven, grid-based songs exclusively covering Electronic Pop music. Includes original student Electronic Pop music as well as reinterpretations of existing pop songs. This unique course is focused exclusively on Electronic Digital Instruments and Electronic Pop music collaborations. | ||
| RHC GE 2 - Mathematical Concepts and Quantitative ReasoningGE | 3.0† | |
† some classes may have higher units. | ||
| RHC GE 7b - HumanitiesGE | 3.0† | |
† some classes may have higher units. Select one: | ||
| Total Semester Units: | 12.0† | |
| 5th Semester | ||
| Select one: MUST 151 / MUST 152 (RHC GE 7a)M | 3.0 | |
MUST 151 - History of Electronic Music (3.0 units) Advisory:ENGL C1000, READ 101 This survey course is designed for students who seek an introduction to electronic music. Beginning with the European and American avant garde, the course traces the roots and routes of electronic music through Jamaican Dub, Chicago House, Detroit Techno, Bronx Hip-hop, and U.K. Rave, among other styles. Analysis of musical style and the relationship to particular technologies accompanies an examination of various genres in their social and cultural contexts. MUST 152 - History of Hip Hop (Formerly MUS 141) (3.0 units) (Formerly MUS 141) Advisory:It is advised that students be able to engage in written composition at a college level and read college-level texts. This course is designed for students who seek to expand their knowledge of hip hop music through the exploration of its cultural, musical, and technological influences. The course includes a comprehensive survey of styles beginning with old-school hip hop, through its golden age, to its present-day status as the most popular genre of music in the United States. The course also covers sampling, licensing, and copyright law, which are all integral parts of the music business. Additionally, the course delves into technology-centered topics such as turntablist beat matching and scratching, digital samplers, digital workstations, Auto-Tune, and beyond. | ||
| MUST 161 - Crossroads Electronic Digital Instrument Pop CollectiveM | 2.0 | |
MUST 161 - Crossroads Electronic Digital Instrument Pop Collective (2.0 units) Advisory:ENGL C1000, MUST 200A This course is designed for students who want to broaden their abilities to perform in small groups using Electronic Digital Instruments. This course focuses on beginning-level rehearsal and public performance of beat-driven, grid-based songs exclusively covering Electronic Pop music. Includes original student Electronic Pop music as well as reinterpretations of existing pop songs. This unique course is focused exclusively on Electronic Digital Instruments and Electronic Pop music collaborations. | ||
| RHC GE 5 - Natural Sciences with LabGE | 4.0 | |
Select one Natural Science with Lab: | ||
| RHC GE 6 - Social and Behavioral SciencesGE | 3.0 | |
Select one: | ||
| Total Semester Units: | 12.0 | |
| Total Units for Electronic Digital Instrument AS program | 63.5† | |
|
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| † | Some classes may have higher units |
| M | Major course; course may also meet a general education requirement |
| GE | General Education course |
| EL | Elective Course |
| Course | Units | Typically Offered |
| 1st Semester | ||
| MUST 101 - Introduction to Music TechnologyM | 3.0 | |
MUST 101 - Introduction to Music Technology (3.0 units) Advisory:It is advised that students be able to read college-level texts. This course is designed for the student who wants to learn the terminology, equipment, techniques, and concepts of music technology. Focus will be on principles and practices of sound, digital audio, synthesis, Musical Instrument Digital Interface (MIDI), MIDI sequencing, notation software, and audio recording utilizing hardware and software platforms. Lab activities will place an emphasis on the operation and components of the typical MIDI and digital audio lab (hardware and software). Students will complete independent projects demonstrating hands-on knowledge. | ||
| MUST 111 - Theory and Musicianship for Electronic Music IM | 4.0 | |
MUST 111 - Theory and Musicianship for Electronic Music I (4.0 units) Advisory:It is advised that students be able to read college-level texts. This course is the first of a sequence for students to focus on the development of theory and musicianship skills in both traditional notation and digital audio workstation (DAW) tablature. Through guided writing and analysis of popular electronic music, this course incorporates the following concepts: rhythm and meter; basic properties of sound; intervals; diatonic scales and triads; diatonic chords, basic cadential formulas, and phrase structure; dominant seventh; and non-harmonic tones. The course also develops beginning-level aural skills, sight-reading, sight-singing, as well as dictation and rhythmic interpretation skills. | ||
| ENGL C1000 - Academic Reading and Writing (formerly ENGL 101) (Cal-GETC 1A)GE | 3.5 | |
ENGL C1000 - Academic Reading and Writing (formerly ENGL 101) (3.5 units) (Formerly ENGL 001A, ENGL 101) Prerequisite:Placement as determined by the college’s multiple measures assessment process. In this course, students receive instruction in academic reading and writing, including writing processes, effective use of language, analytical thinking, and the foundations of academic research. This composition course enables students to generate logical, coherent essays that incorporate sources necessary for academic and professional success. Students become proficient in researching, evaluating, and incorporating sources, and in learning critical reading and thinking skills through expository and persuasive reading selections before applying these skills to creating original documented essays. The writing workshop component of the course is designed to assist students with improving and refining their writing and language skills: Students complete writing workshop activities that enhance their ability to compose logical, well-supported arguments that exhibit grammatical fluency and correct citation styles. Students meet with composition instructors through individual or small group conferences that address students’ specific writing concerns. | ||
| Cal-GETC 6 - Ethnic StudiesGE | 3.0 | |
Select one: | ||
| Total Semester Units: | 13.5 | |
| 2nd Semester | ||
| MUST 105 - Introduction to the Music BusinessM | 3.0 | |
MUST 105 - Introduction to the Music Business (3.0 units) Advisory:It is advised that students be able to engage in written composition at a college level and read college-level texts. This course is intended for students interested in the music business. It presents an overview of the business and legal aspects of the music industry in order to help students understand the rapid and massive changes caused by the digital music revolution. The course focuses on career possibilities, the development of business-related knowledge and skills necessary for effectively maintaining a professional music career, the vocabulary and terminology of the music industry, and the distinction between music and business at the corporate level. Topics include record contracts, publishing, licensing, marketing, distribution, performances, and copyright. In addition, the duties and responsibilities of musicians, songwriters, lawyers, agents, promoters, publishers, executives, managers, and anyone trying to navigate the rapid transformation of the industry are examined. | ||
| MUST 112 - Theory and Musicianship for Electronic Music IIM | 4.0 | |
MUST 112 - Theory and Musicianship for Electronic Music II (4.0 units) Prerequisite:MUST 111 This course is the second in a sequence for students to focus on the development of theory and musicianship skills in both traditional notation and digital audio workstation (DAW) tablature. Through guided composition and analysis, the course includes an introduction to two-part counterpoint; voice leading involving four-part writing; diatonic harmony; and an introduction to secondary/applied chords and modulation. This course also develops beginning-intermediate-level aural skills, sight-reading, sight-singing, as well as dictation and rhythmic interpretation skills. | ||
| MUST 161 - Crossroads Electronic Digital Instrument Pop CollectiveM | 2.0 | |
MUST 161 - Crossroads Electronic Digital Instrument Pop Collective (2.0 units) Advisory:ENGL C1000, MUST 200A This course is designed for students who want to broaden their abilities to perform in small groups using Electronic Digital Instruments. This course focuses on beginning-level rehearsal and public performance of beat-driven, grid-based songs exclusively covering Electronic Pop music. Includes original student Electronic Pop music as well as reinterpretations of existing pop songs. This unique course is focused exclusively on Electronic Digital Instruments and Electronic Pop music collaborations. | ||
| Cal-GETC 1B - Critical Thinking and CompositionGE | 3.0† | |
† some classes may have higher units. Select one: | ||
| Total Semester Units: | 12.0† | |
| Summer 1 | ||
| Select one: POLS C1000 / POLS C1000H (Cal-GETC 4)GE | 3.0 | |
POLS C1000 - American Government and Politics (formerly POLS 110) (3.0 units) (Formerly POLS 110, 002) Advisory:It is advised that students be able to engage in written composition at a college level and read college-level texts. This course is an introduction to government and politics in the United States and California. Students examine the constitutions, structure, and operation of governing institutions, civil liberties and civil rights, political behaviors, political issues, and public policy using political science theory and methodology. POLS C1000H - American Government and Politics - Honors (formerly POLS 110H) (3.0 units) (Formerly POLYS 110H, POLS 110H) Advisory: ENGL C1000 This is an introduction to government and politics in the United States and California. Students examine the constitutions, structure, and operation of governing institutions, civil liberties and civil rights, political behaviors, and public policy using political science theory and methodology. This is an honors course. | ||
| Total Semester Units: | 3.0 | |
| 3rd Semester | ||
| MUST 121 - Electronic Music IM | 3.0 | |
MUST 121 - Electronic Music I (3.0 units) Prerequisite: MUST 101 This course is designed for students who want to gain an understanding of the processes and tools available to the modern electronic musician. While using the most up-to-date software, students will learn to record, arrange, mix, and produce music. Topics include synthesis, sampling, and musical instrument digital interface (MIDI) sequencing. Compositions are expected of students utilizing electronic music techniques. | ||
| MUST 200A - Electronic Digital Instrument (EDI) Controllers IM | 1.0 | |
MUST 200A - Electronic Digital Instrument (EDI) Controllers I (1.0 units) Advisory:It is advised that students be able to read college-level texts. In this course, students develop Electronic Digital Instrument (EDI) performance skills, and declare EDI as the primary instrument of study for electronic musicians. Emphasis is placed on push button controller techniques. Course content includes basic technique and notation, major and minor fingering patterns, sight reading, and basic chord patterns and progressions. | ||
| MUST 161 - Crossroads Electronic Digital Instrument Pop CollectiveM | 2.0 | |
MUST 161 - Crossroads Electronic Digital Instrument Pop Collective (2.0 units) Advisory:ENGL C1000, MUST 200A This course is designed for students who want to broaden their abilities to perform in small groups using Electronic Digital Instruments. This course focuses on beginning-level rehearsal and public performance of beat-driven, grid-based songs exclusively covering Electronic Pop music. Includes original student Electronic Pop music as well as reinterpretations of existing pop songs. This unique course is focused exclusively on Electronic Digital Instruments and Electronic Pop music collaborations. | ||
| Select one: COMM C1000 / COMM C1000H (Cal-GETC 1C)GE | 3.0 | |
COMM C1000 - Introduction to Public Speaking (formerly SPCH 101) (3.0 units) (Formerly SPCH 001A, SPCH 101) Transfers to: UC (*credit limit), CSU In this course, students learn and apply foundational rhetorical theories and techniques of public speaking in a multicultural democratic society. Students discover, develop, and critically analyze ideas in public discourse through research, reasoning, organization, composition, delivery to a live audience and evaluation of various types of speeches, including informative and persuasive speeches. This course is designed for Communication Studies majors and recommended for students interested in the Forensics: Speech and Debate team, and/or Pathway to Law. COMM C1000H - Introduction to Public Speaking - Honors (formerly SPCH 101H) (3.0 units) (Formerly SPCH 101H) Advisory: ENGL C1000 In this course, students learn and apply foundational rhetorical theories and techniques of public speaking in a multicultural democratic society. Students discover, develop, and critically analyze ideas in public discourse through research, reasoning, organization, composition, delivery to a live audience and evaluation of various types of speeches, including informative and persuasive speeches. This is an honors course. This course is designed for Communication Studies majors and recommended for students interested in the Honors Transfer Program, Forensics: Speech and Debate team, and/or Pathway to Law. | ||
| US HISTORY (Cal-GETC 4)GE | 3.0 | |
| ||
| Total Semester Units: | 12.0 | |
| 4th Semester | ||
| MUST 122 - Electronic Music IIM | 3.0 | |
MUST 122 - Electronic Music II (3.0 units) Prerequisite: MUST 121 This course is designed for students who want to continue the study of concepts and techniques needed to compose electronic music. Sequencing, advanced forms of automation, and various types of analog and digital synthesis are studied in greater depth, and the topic creating music for film and video games is also introduced. | ||
| MUST 200B - Electronic Digital Instrument (EDI) Controllers IIM | 1.0 | |
MUST 200B - Electronic Digital Instrument (EDI) Controllers II (1.0 units) Prerequisite:MUST 200B In this course, students continue to develop Electronic Digital Instrument (EDI) performance skills, and declare EDI as the primary instrument of study for electronic musicians. Course content includes intermediate-level techniques and notation, major and minor fingering patterns, sight reading, and intermediate-level chord patterns and progressions. | ||
| MUST 161 - Crossroads Electronic Digital Instrument Pop CollectiveM | 2.0 | |
MUST 161 - Crossroads Electronic Digital Instrument Pop Collective (2.0 units) Advisory:ENGL C1000, MUST 200A This course is designed for students who want to broaden their abilities to perform in small groups using Electronic Digital Instruments. This course focuses on beginning-level rehearsal and public performance of beat-driven, grid-based songs exclusively covering Electronic Pop music. Includes original student Electronic Pop music as well as reinterpretations of existing pop songs. This unique course is focused exclusively on Electronic Digital Instruments and Electronic Pop music collaborations. | ||
| Cal-GETC 2 - Mathematical Concepts and Quantitative ReasoningGE | 3.0† | |
† some classes may have higher units. Select one: | ||
| Cal-GETC 3B - HumanitiesGE | 3.0† | |
† some classes may have higher units. Select one: | ||
| Total Semester Units: | 12.0† | |
| Summer 2 | ||
| Cal-GETC 5B - Biological ScienceGE | 3.0† | |
† some classes may have higher units. Select one: | ||
| Total Semester Units: | 3.0† | |
| 5th Semester | ||
| Select one: MUST 151 / MUST 152 (Cal-GETC 3A)M | 3.0 | |
MUST 151 - History of Electronic Music (3.0 units) Advisory:ENGL C1000, READ 101 This survey course is designed for students who seek an introduction to electronic music. Beginning with the European and American avant garde, the course traces the roots and routes of electronic music through Jamaican Dub, Chicago House, Detroit Techno, Bronx Hip-hop, and U.K. Rave, among other styles. Analysis of musical style and the relationship to particular technologies accompanies an examination of various genres in their social and cultural contexts. MUST 152 - History of Hip Hop (Formerly MUS 141) (3.0 units) (Formerly MUS 141) Advisory:It is advised that students be able to engage in written composition at a college level and read college-level texts. This course is designed for students who seek to expand their knowledge of hip hop music through the exploration of its cultural, musical, and technological influences. The course includes a comprehensive survey of styles beginning with old-school hip hop, through its golden age, to its present-day status as the most popular genre of music in the United States. The course also covers sampling, licensing, and copyright law, which are all integral parts of the music business. Additionally, the course delves into technology-centered topics such as turntablist beat matching and scratching, digital samplers, digital workstations, Auto-Tune, and beyond. | ||
| MUST 161 - Crossroads Electronic Digital Instrument Pop CollectiveM | 2.0 | |
MUST 161 - Crossroads Electronic Digital Instrument Pop Collective (2.0 units) Advisory:ENGL C1000, MUST 200A This course is designed for students who want to broaden their abilities to perform in small groups using Electronic Digital Instruments. This course focuses on beginning-level rehearsal and public performance of beat-driven, grid-based songs exclusively covering Electronic Pop music. Includes original student Electronic Pop music as well as reinterpretations of existing pop songs. This unique course is focused exclusively on Electronic Digital Instruments and Electronic Pop music collaborations. | ||
| Select one: Cal-GETC 5A / Cal-GETC 5C GE | 4.0 | |
Cal-GETC 5A - Physical Science (3.0† units) † some classes may have higher units. Select one: Cal-GETC 5C - Laboratory (1.0 units) Select one if lab has not been completed in Cal-GETC 5A or 5B. | ||
| Total Semester Units: | 9.0 | |
| Total Units for Electronic Digital Instrument AS program | 64.5† | |
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| † | Some classes may have higher units |
| M | Major course; course may also meet a general education requirement |
| GE | General Education course |
| EL | Elective Course |
| Click or tap here to open the program's advising sheet. |