Advisory:It is advised that students be able to read college-level texts.
Transfers to:CSU

This course is designed for the student who wants to learn the terminology, equipment, techniques, and concepts of music technology. Focus will be on principles and practices of sound, digital audio, synthesis, Musical Instrument Digital Interface (MIDI), MIDI sequencing, notation software, and audio recording utilizing hardware and software platforms. Lab activities will place an emphasis on the operation and components of the typical MIDI and digital audio lab (hardware and software). Students will complete independent projects demonstrating hands-on knowledge.

Corequisite:MUS 106
Advisory:It is advised that students be able to read college-level texts.
Transfers to: UC, CSU

Through guided composition and analysis, this course incorporates the following concepts: rhythm and meter; basic properties of sound; intervals; diatonic scales and triads; diatonic chords, basic cadential formulas and phrase structure; dominant seventh; figured bass symbols; and non-harmonic tones. Development of skills in handwritten notation is expected.

Corequisite: MUS 103
Advisory:It is advised that students be able to read college-level texts.
Transfers to: UC, CSU

This course is designed for students who want to develop beginning aural recognition, sight-singing, and dictation skills. It is recommended for all instrumentalists, singers, and composers, and required for all music majors.

Advisory:It is advised that students be able to engage in written composition at a college level and read college-level texts.
Transfers to:CSU

This course is intended for students interested in the music business. It presents an overview of the business and legal aspects of the music industry in order to help students understand the rapid and massive changes caused by the digital music revolution. The course focuses on career possibilities, the development of business-related knowledge and skills necessary for effectively maintaining a professional music career, the vocabulary and terminology of the music industry, and the distinction between music and business at the corporate level. Topics include record contracts, publishing, licensing, marketing, distribution, performances, and copyright. In addition, the duties and responsibilities of musicians, songwriters, lawyers, agents, promoters, publishers, executives, managers, and anyone trying to navigate the rapid transformation of the industry are examined.

Prerequisite:MUS 103
Corequisite:MUS 107
Transfers to: UC, CSU

This course incorporates the concepts from Music Theory I. In addition, through guided composition and analysis, the course includes an introduction to two-part counterpoint; voice leading involving four-part chorale writing; diatonic harmony; and an introduction to secondary/applied chords and modulation.

Prerequisite: MUS 106
Corequisite: MUS 104
Transfers to: UC, CSU

This course is designed for students who want to develop the rhythmic, melodic, and harmonic materials of MUS 104 (Music Theory II) through ear training, sight singing, analysis, and dictation. This course is required for all music majors.

Prerequisite: MUS 103 and MUST 101
Transfers to:UC, CSU

This course is designed for students who want to learn the process of songwriting. Songs are analyzed using chord structure, form, rhythm, melody, harmony, and lyrics. Original compositions and performances are expected from all students.

Advisory:It is advised that students be able to read college-level texts.
Transfers to: UC, CSU

This course is part of the music core, and intended for music majors. Course material includes basic technique and notation, major and minor five finger patterns, major scales, sight reading, and basic chord progressions as they are encountered in beginning piano music.